A film made purely to make some bank, given the success of arguably Britain’s most famous girl-group, it wasn’t exactly meant to be a showstopper.
Perhaps it deserved the Golden Raspberry Award for 1998, but for every teenage girl (and boy) dancing in their rooms to their catchy tunes, it was basically the epitome of their adolescence. Fun, fabulous and a little ridiculous – yes, we’re talking about the Claymation scene – sure it might get the Razzie, but it captured a few hearts!
2000: Battlefield Earth
John, John, John. It really is an awful shame when big stars stoop and create films that aren’t even mediocre. The award for Worst Picture in the millennium year went to Battlefield Earth. The film, inspired by the church of Scientology, was actually based on the 1982 novel by L. Ron Hubbard (the head honcho of Scientology!).
The film didn’t just win Worst Picture, but also Worst Picture of the Decade! And 2000 had only just ushered in a new decade. While the film only covers the first half of Hubbard’s novel, reviews and box office failure meant any plans for a sequel were thrown straight into the trash. And thank god for that.
1999: Wild, Wild West
Now, 1999 meant a few things for Will Smith – it meant creating a film that was to be awarded the Razzie for that year, as well as turning down the lead role in a film which would’ve made him a cult film superstar. That film, you ask? He turned down The Matrix. To be honest, we can’t see anyone but Keanu Reeves playing Neo now, so…maybe it was for the best?
In lieu of starring in The Matrix, Smith decided he was better off playing in a Hollywood Western comedy, alongside the smoking hot Mexican actress, Salma Hayek. Whilst it was a light-hearted comedy, it did have a killer title song – who can forget Will Smith’s catchy rap? Enjoyable, but just not exactly Oscar-worthy. Watch it when you’ve got nothing else to do or need some background noise. Oh, and it managed to rake in over 200 million USD, so not too shabby at all!
1997: The Postman
“I’m no one’s messenger boy, I’m a delivery boy” – look, with a title like The Postman, how couldn’t we make that reference? Anyway, back to handing out Razzies, this film was set in the future and was probably released a few years too soon. Now that we’re in 2019, you’d realize that the “near future” 2013 that The Postman was set in was certainly nothing like the reality of that year.
With a budget that reminded us it was a Hollywood production, its box office takings paled in comparison, drawing in less than a quarter of its budget, at $17 million US worldwide. Poor Kevin Costner. Razzie well deserved, and maybe they should’ve left Waterworld and the whole America-as-a-wasteland theme alone.
1996: Striptease
“The film’s premise is thinner than the heroine’s G-string.” Rita Kempley, we salute you! Despite Demi Moore looking absolutely lush and gorgeous in this film, it’s another film that critics just couldn’t take seriously. Perhaps because the film, like the 1995 Razzie winner (stay tuned!), involved women taking their clothes off, and not much else.
Sure, men would be lured in by the promise of a woman taking off her gear, but cinematically there really isn’t much to behold, apart from the “curves” of Moore’s body. It seems that the script was a filler for the scenes in which Demi Moore seductively dances. Special mention does go out to Burt Reynolds though, with critics remarking it was one of his best performances of the 90s.